As Vesta Was from Latmos Hill

Diana

The madrigal, “As Vesta Was from Latmos Hill” (first 4 minutes and 10 seconds of the link) by English composer Thomas Weelkes (c. 1575-1623) was published in 1601 in The Triumphs of Oriana, a madrigal anthology for Queen Elizabeth I. A madrigal in the Renaissance (1450-1600) was a polyphonic vocal piece on a secular text.

Here are the lyrics:

As Vesta was from Latmos Hill descending,

She spied a maiden Queen the same ascending,

Attended on by all the shepherd's swain;

To whom Diana's darlings came running down amain

First two by two, then three by three together

Leaving their Goddess all alone, hasted thither;

And mingling with the shepherds of her train,

With mirthful tunes her presence did entertain.

Then sang the shepherds and nymphs of Diana:

Long live fair Oriana!

This delightful piece features numerous examples of text painting (for example, at “running down,” “first two by two, then three by three together,” and “all alone.”

This piece never fails to bring a smile to my face. Not bad for a piece nearly 400 years old!

Note: the next piece, “Dessus le marché d'Arras” embodies some of the dramatic, demonstrative features of Renaissance madrigals.

Edward Wolfe

Edward Wolfe has been a fan of Christian apologetics since his teenage years, when he began seriously to question the truth of the Bible and the reality of Jesus. About twenty years ago, he started noticing that Christian evidences roughly fell into five categories, the five featured on this website.
Although much of his professional life has been in Christian circles (12 years on the faculties of Pacific Christian College, now a part of Hope International University, and Manhattan Christian College and also 12 years at First Christian Church of Tempe), much of his professional life has been in public institutions (4 years at the University of Colorado and 19 years at Tempe Preparatory Academy).
His formal academic preparation has been in the field of music. His bachelor degree was in Church Music with a minor in Bible where he studied with Roger Koerner, Sue Magnusson, Russel Squire, and John Rowe; his master’s was in Choral Conducting where he studied with Howard Swan, Gordon Paine, and Roger Ardrey; and his doctorate was in Piano Performance, Pedagogy, and Literature, where he also studied group dynamics, humanistic psychology, and Gestalt theory with Guy Duckworth.
He and his wife Louise have four grown children and six grandchildren.

https://WolfeMusicEd.com
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