Ways to Listen to Music

Listening to music

Have you ever watched a movie more than once, and noticed new details and fine points you never before saw? For example, you might notice how the film score adds to the excitement, dread, humor, or tension in a particular scene. In the same way, in order to truly enjoy many musical masterpieces, we need to listen to them more than once.

In his wonderful book, What to Listen for in Music, eminent American composer Aaron Copland identified three types of listening, implying three types of attitudes listeners have about the music they are hearing:

Sensuous listening: sometimes a particular moment in music—the turn of a phrase, a gorgeous chord, brilliant orchestration—is simply beautiful to hear.

Expressive listening: music conveys emotion with great subtlety and power and, with practice, one can learn to listen for the emotions implicit in music.

Musical listening: music is ingeniously constructed and, with training and practice, one can learn to listen to the ways the elements of music combine to create beauty.

One of the most important keys to musical listening is memory. With practice, we can improve our ability to remember whether we’ve heard a theme or melody earlier in the piece. This can help us recognize the form of the piece. Many people are surprised to learn that art music is not just an endless stream of sound, without repetition or form. Actually, it is highly structured; discovering the structure by listening is one of the great delights of musical listening.

In order to become a better listener, we need to practice, listening for key moments, for occasions of particular beauty or tension.

Have you ever watched a movie more than once, and noticed new details and fine points you never before saw? For example, you might notice how the film score adds to the excitement, dread, humor, or tension in a particular scene. In the same way, in order to truly enjoy many masterpieces, we need to listen to them more than once.

In order to become a better listener, we need to practice. Listen for key moments, for occasions of particular beauty or tension. Learn to identify them.

Try each of the three types of listening as you hear this 24-second segment, the Wolf theme from Peter and the Wolf by Prokofiev.

This article is an excerpt from my book Music I, 7th Grade Music Listening.

Edward Wolfe

Edward Wolfe has been a fan of Christian apologetics since his teenage years, when he began seriously to question the truth of the Bible and the reality of Jesus. About twenty years ago, he started noticing that Christian evidences roughly fell into five categories, the five featured on this website.
Although much of his professional life has been in Christian circles (12 years on the faculties of Pacific Christian College, now a part of Hope International University, and Manhattan Christian College and also 12 years at First Christian Church of Tempe), much of his professional life has been in public institutions (4 years at the University of Colorado and 19 years at Tempe Preparatory Academy).
His formal academic preparation has been in the field of music. His bachelor degree was in Church Music with a minor in Bible where he studied with Roger Koerner, Sue Magnusson, Russel Squire, and John Rowe; his master’s was in Choral Conducting where he studied with Howard Swan, Gordon Paine, and Roger Ardrey; and his doctorate was in Piano Performance, Pedagogy, and Literature, where he also studied group dynamics, humanistic psychology, and Gestalt theory with Guy Duckworth.
He and his wife Louise have four grown children and six grandchildren.

https://WolfeMusicEd.com
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